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Fortunately, this is where the universe gets a lot bigger for the crew - the effects budget for the first series went into model work for the main ship; this time, with a little more money, the crew gets off the ship in a variety of ways, whether it's by shuttle (Kryten, Thanks for the Memory), time warp (Statis Leak), virtual video game (Better Than Life) and interacting with their parallel selves (Parallel Universe).
Fortunately, this series also begins laying some ground as to the future - most notably, introducing the character of Kryten. Although David Ross plays the role relatively "straight" (at least, as straight as a science fiction comedy can be), he doesn't take on the full-on neuroses that Robert Llewellyn would later bring to the role. In fact, the addition of a fourth character at this early stage brings a w
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In fact, I would argue that this series contains the first real masterpiece episode, "Queeg". (Yes, that is a Caine Mutiny
Plus, it shows Norman Lovett doing what he does best - kicking bottom and taking names.
But the best thing I can say about Series Two is that...well, if you watch Series One and Two in sequence, it beats out the best season of any American show. Red Dwarf is hitting its stride.
And now, a special treat: the "Tongue Tied" video that appeared in the beginning of Parallel Universe, for your musical entertainment:
Recommended.
1 comment:
I've maintained for years that the series *is* about Rimmer's character. My argument goes like this:
If you want to know which character a story is about, ask yourself which of them is changed the most by its events.
In this case: Rimmer. Everybody else is essentially the same person at the beginning and end.
That's also one of the reasons why I hate most of the last two seasons:
They "Frank Burnsed" Rimmer, bouncing him back to who he used to be.
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